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Archive for the ‘carlo patrao’ Category

People Like Us/Vicki Bennett is currently Hallwalls Artist in Residence at Hallwalls Contemporary Arts Center in Buffalo, NY. This residency is a multi-tier project consisting of an onsite new film called Fourth Wall and a six-channel audio collage called First Person featuring readings from her co-authored book The Fundamental Questions. In parallel to the onsite exhibition, Vicki Bennett created an online archive of new micro-commissions from collaborators across the field of visual, audio, and textual art. These works respond to the themes of first person / the fourth and can be heard and seen on this WFMU page:

https://wfmu.org/playlists/ip

Featured Artists: Dina Kelberman, Buttress O’Kneel, Mark Hurst, Scott Williams, Irene Moon, Jasmin Blasco, Matmos, id m theft able, Sheila B, Ergo Phizmiz, Yon Visell, Porest, David Shea, Gregor Weichbrodt, Carlo Patrão, Tim Maloney, Gwilly Edmondez, Jon Leidecker (aka Wobbly), People Like Us, Peter Jaeger, Ranjit Bhatnagar, Adriene Lilly, Micah Moses, Andrew Sharpley, Andie Brown, John Kilduff (Let’s Paint TV) & Hearty White.

Stills from “Fourth Wall” (2020) by People Like Us

For this project, I contributed with a 40-minute radio collage called Second Hand Third Eye that mixes themes related to self-image, consciousness, perception, existentialism, media theory, and extra-dimensions. The creative process for this piece started with a quick survey of academic literature anchored on selfhood and a compilation of terms orbiting the construct of self.*** This list of keywords was the starting point for creating a dedicated archive of over one thousand voice samples from radio and tv shows from the 1950s to the present day. Often contradictory, non-sensical, or meta-referential, these samples come together in a collective search for meaning, both local and cosmic.

Listen to Second Hand Third Eye here: https://wfmu.org/playlists/shows/95230

***The self, self-realization, self-fulfillment, selfhood, self-destruction, self-commentary, self-creation, self-evident, self-making, self-understanding, self-esteem, self-sacrifice, self-reliance, self-portrait, self-knowledge, self-determined, self-interest, self-defense, self-censorship, selfish, self-tracking, self-image, self-care, self-immolation, self-improvement, self-interest, self-reflection, self-harm, self-rule, self-management, self-expression, self-deification, self-defeat, self-propelled, self-deception, self-reference, self-perception, self-medication, self-injury, self-service, self-formation, self-criticism, self-canonization, self-restraint, self-mediation, self-transformation, skin and self, self-mourning, self-obsessed, self-overcoming, self-centered, self-killing, self-protection, self-annihilation, self-reliance, self-publishing, self-translation, self-photography, self-cultivation, self-regulation, self-control, self-organized, self-invention, solitary self, self-critique, self-development, self-institutionalization, self-reproduction, self-ownership, self-love, self-preservation, self-appreciation, self-made, self-criticality, self-mastery self-congratulation, self-insight, self-hate, self-aware, self-forgiveness, self-taught, self-wolf, self-governing, self-assessment, self-exploration, self-interpretation, self-education, self-inflicted, self-organization, self-model, self-build, self-paced, self-reproducing, self-institution, true-self, second-self, self-identity, self-sabotage, self-analysis, self-service, self-glorification, self-hypnosis, self-empowerment, self-impression, self in roman thought, self-evolving, self-healing, self-experience, self-employed, the younger self, the myth of the self, self-study, self-fulfilling, self-talk, self-design, self-discipline, self-confidence, self-imitation, self-massage, speaking of the self, song of myself, self as enterprise, self in late modernity, self and god, phenomenology of the self, the riddle of the self, online self, the Dostoevskian self, the natural history of the self, psychology of the self, rewriting the self, Kant’s theory of the self, immaterial self, the virtual self, false-self, hungry self, obligated self, the death and life of the self, beyond the self, measure yourself, the plural self, identity and self, know thyself, orienting the self, self and the afterlife, quantified self, animal self, mimetic self, the embodied self, early-self, global self, political selfie, from self to social, the allure of the self, thinking about one self, embattled self, the naked self, becoming myself, the state and the self, amoral self, fractal self, memory and the self, the modern self, digital self, pristine self, classical self, networked self, genes and self, saving democracy from itself, bifurcation of the self, life itself, how to represent yourself in court, editing yourself, deep-self, the self in the transcendental tradition, disorders of the self, enigmatic self, divining the self, traumatized self, fight yourself, privacy of self, giving account of oneself, the emergent self, the self and other, despite itself, boundaries of the self, the care of the self, the purloined self, minimal self, inner self, selfie of a nation, self-exile, not itself, other self, technologies of the self, the quest for the self.             

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Harvard University Ex-centric Music Studies Conference

Next February 2nd, I’ll be doing a presentation entitled “Botanical Rhythms: A field guide to plant music” at the conference Ex-centric Music Studies at Harvard University. This presentation is included in the panel “Relocating research: the core of practice” chaired by Vijay Iyer. The conference will explore subjects, methods, and modes of presentation that have been deemed ‘peripheral’ to music studies, and aims to offer participants an opportunity to present projects that might exceed the bounds of academic convention.

Friday, February 2 at 7:00 PM – 9:00 PM EST
Holden Chapel, Harvard Yard, Cambridge (MA)

 

Botanical Rhythms: A field guide to plant music

ABSTRACT – Plants are the most abundant life form visible to us. Despite their ubiquitous presence, most of the time, we still fail to notice them. The botanists Wandersee and Schussler call it plant blindness, an extremely prevalent condition characterized by the inability to see or notice the plants in one’s own environment. Molly Roth And JimOur bias towards animals, or zoochauvinism, has been shown to have negative implications on funding towards plant conservation. Authors argue that artistic practices that engage plants in a sensorial and meaningful way can potentially generate emotional responses and concern towards plant life. This presentation reviews musical and sound art practices that incorporate plants and discusses the ethics of plant life as a performative participant. Starting in the early 70s, Music to Grow Plants By became a small footnote in the history of recorded music. However, it showed how the veiled nature of plants became attached to personal narratives, tastes and social values. In parallel, avant-garde movements interested in amplifying the noises of everyday life started to appropriate the sounding materiality of plants through contact microphones. John Cage’s amplified cactus became an icon of indeterminacy music. Plant-based generative music attempts to take a step forward into the inner life of plants by translating their biological activity.

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Creative chains linking plants, technology, music and touch can be found in site-specific installations and performances by artists like Mileece, Miya Masaoka, Michael Prime, Leslie Garcia and the collective Data Garden.

The recent blooming of plant bioacoustics studies and acoustic ecology have inspired artists to sonically explore plant matter combining artistic and scientific points of view. In the midst of a strong movement to revitalize the role of plants in the field of humanities, concerns related to plants ethics and performance with plants are being debated. The sonification and acoustic amplification of plant life evoke both a sense of connection and the realization of an ontological fracture. However, the act of listening to plant life can be an act of acknowledgment, a possibility for emotional identification and empathy, rendering plant life visible.

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Harvard Graduate Music Conference
Conference Page
Facebook Event

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Megapolis Audio Festival 2017 Poster Detail

This year’s edition of Megapolis Audio Festival will be held on the weekend of September 16th and 17th as part of Philadelphia’s Fringe Festival. Megapolis is dedicated to sound art, featuring works and performances from musicians, filmmakers, educators, urban planners, scientists, and radio producers.

Carlo Patrao - Misophonia, Megapolis Audio Festival

Zepelim’s radio piece about Misophonia will be played at PhillyCam, alongside other digital works. Radio will be one of the main focuses of the festival with discussions about radio art with Joan Schuman from Earlid, the politics of storytelling with Karen Werner, live performances from Radio Wonderland, and radio in translation with Eleanor McDowall’s Radio Atlas.

Description:
Portuguese radio artist Carlo Patrao tackles the recently discovered and little understood chronic condition known as Misophonia. The condition is characterized by highly negative emotional responses to auditory triggers like chewing, breathing, sniffling, coughing, or slurping. This radio collage explores and utilizes this range of intrusive bodily sounds and discourse around it, while transforming those very sounds into music and performance art.

 

megapolisMore info:
Megapolis Audio Festival
Schedule
Artists

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On August 19th to August 20th, KCRWs Independent Producer Project kicked off its 5th edition of the 24-hour radio race. Radio producers from all over the world had one day to write, record, and edit a nonfiction radio story. We produced a story about Coney Island’s iconic landmark The Wonder Wheel and the journey of its owner Deno D. Vourderis, a Greek immigrant who bought and restored the ferris wheel in the early 80s. This piece is narrated by his grandson Deno John Vourderis, who continues the family tradition of maintaining and running the wheel with his father and brother. This story was made possible with the help of Amanda Deutch from Coney Island History Project, a non-profit organization dedicated to record, archive, and celebrate the oral history of Coney Island.

 

The only thing about America that interests me is Coney Island.
Sigmund Freud

Credits:
Produced by Carlo Patrão and Erica Buettner
Music by Dana Boulé.
Thanks to Deno John Vourderis and Amanda Deutch

 

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Kay Kyser And His Orchestra ‎– Dreamland (1947)

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